EAU NOIRE

日頃の行いが悪いとしかもう思えないんですけど

2007年05月02日

2007年05月01日

声かけないでね…カードを付けて静かに買い物

 百貨店「高島屋」は立川店(東京都立川市)などで、静かにショッピングを楽しみたいという客に声かけを控えるサービスを始めた。
 
 希望する客には、店内に用意したカードを首にかけてもらい、店員からは話しかけないようにする。
 
 カードの名称は「S.E.E.(シー)カード」。英語のSilent(静かな)、Easy(ゆったりとした)、Each(それぞれ)の頭文字から取った。「シーッ」と、人差し指を口元にたてるしぐさの図柄が描かれている。
 
 今月4日から立川店と岐阜店(岐阜市)の2店で試験導入した。立川店では、27日までに利用した客はまだ5人だが、「アイデアはいい」「今後も使ってみたい」と反応は上々という。
 
2007年4月28日13時19分  読売新聞)
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2007年04月27日

ベルルッティ

 世界の高級ブランドが軒を連ねる東京・銀座並木通りに26日、新たなブランドが出店した。フランスの高級紳士靴「ベルルッティ」。仏本社から来日したゼネラル・ディレクターのティエリー・ママンさんは「長年の顧客の要請から銀座に出店した。全国から人が集まる銀座でベルルッティ・ブランドのさらなる成熟につなげたい」と期待を込める。(佐竹一秀)
http://www.business-i.jp/news/sou-page/news/200704270041a.nwc
posted by ぽん吉 at 15:31| パリ 🌁| Comment(0) | TrackBack(0) | Fashion | このブログの読者になる | 更新情報をチェックする

ガリアーノ

 3 Rs[.jpg
posted by ぽん吉 at 14:34| パリ 🌁| Comment(0) | TrackBack(0) | Diary | このブログの読者になる | 更新情報をチェックする

2007年04月11日

東京ミッドタウン

やっとこさ
東京ミッドタウンへ行ってきました。
雨の影響もあるだろうけど空いていて、ゆっくり買い物できました。
通路も広くて快適でした。
トイレもたくさんあって快適でしたw




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2007年04月04日

Fahrenheit32

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2007年04月02日

筋斗雲

KIF_1569.JPG
posted by ぽん吉 at 21:20| パリ | Comment(0) | TrackBack(0) | Diary | このブログの読者になる | 更新情報をチェックする

HELLO

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I GUESS THIS WEBSITE COULD BE MY OWN TRIBUNE. ENGLISH IS NOT MY NATURAL
LANGUAGE, BUT I THOUGHT I WOULD WRITE THIS MYSELF. HOPEFULLY IT WILL MAKE
SENSE TO SOME, AND STRAIGHTEN SOME IMPRECISE RECORDS. I WAS SILENT FOR A
LONG TIME. I OBSERVED WITH INTEREST HOW BLURRY AND TWISTED EVERYTHING
HAS BECOME. I ALMOST FEEL LIKE I’M A STRANGER TO ALL THIS, AND TOTALLY
RELIEVED IT HAS FINALLY COME OUT.

IN JULY 2000, ALMOST 7 YEARS AGO, I JOINED CHRISTIAN DIOR AND STARTED TO
DEFINE DIOR HOMME. I CAME FROM SAINT LAURENT. I WAS A LITTLE MISERABLE AND
SAD OF THIS SUDDEN EXODUS, AND THE IDEA OF STARTING EX-NIHILO A DIFFERENT
MASCULINE PROJECT AT DIOR WAS APPEALING. I’VE ALWAYS FELT FOR THIS
BEAUTIFUL HOUSE.




I BELIEVED DIOR HOMME, NEWLY CREATED, COULD BE A HOLISTIC PROJECT.
THROUGH THE YEARS I WAS LUCKY ENOUGH TO COLLABORATE WITH SO MANY
CREATIVE MINDS AND DEVELOP A COMMON SENSIBILITY. I WANT TO THANK THEM
ALL FOR A REALLY FRUITFUL COLLABORATION. IT WAS A TIME CAPSULE7 YEARS
OF PRODUCING MUSIC, BANDS, ARCHITECTURAL SPACES, ART PROJECTS, AND
DESIGN. I GUESS I WAS SOLELY INTERESTED IN THE TIME I WAS IN, LIVING IN
COMPLETE MOVEMENT.




I ALWAYS TRIED TO STAY FAITHFUL TO MY BELIEFS, AND THE IDEAS I WAS
PURSUING. I TRIED NOT TO GET DISTRACTED. I HAD A CERTAIN IDEA OF THE HOUSE
OF DIOR, WHICH I LOVE, AND TRIED TO EXPRESS IT THROUGH DIFFERENT MEDIUMS. IT
WON’T BE FOR ME TO JUDGE IF IT WAS OF ANY RELEVANCE. I WAS JUST TRYING
SOMETHING.




I CANNOT THANK MY TEAM ENOUGH, MY STUDIO, AND MY ATELIER, WITH WHOM I
BUILT DIOR HOMME. IN SOME WAYS I FEEL IT IS THEM I HAVE LEFT, AND I WOULD
HOPE THEY WILL UNDERSTAND. I WANT THEM TO KNOW I LOVE EACH ONE OF THEM.
THEY WERE ALWAYS BY MY SIDE, AND ME BY THEIRS. WE HELPED EACH OTHER
THROUGH THE PROCESS OF DESIGN AND THE EXPECTATIONS. I ASSUME WE HAD THE
BEST TIME TOGETHER DESIGNING ABSOLUTELY EVERYTHING IN THIS TINY STUDIO.

I ALSO WANT TO THANK ALL THE BOYS THAT DID MY SHOWS AND THOSE I
PHOTOGRAPHED, THE ONES I FOUND RANDOMLY AND ALL THE OTHERS. THEY HAVE
BEEN A STRONG INSPIRATIONIF NOT THE ONLY ONEAND THE REASON WHY I
DESIGNED THE CLOTHES. I LIKED NOTHING MORE THAN SEEING THEM TAKING OVER
THE SHOWS AND MAKING THE CLOTHES THEIR OWN.




I WANT TO THANK ALL THE MUSICIANS I WORKED WITH, THE ONES I DRESSED, THE
ONES I PHOTOGRAPHED, AND THE ONES THAT COMPOSED MUSIC FOR ME. I WAS FORTUNATE ENOUGH TO PARTICIPATE IN THE BIRTH OF THIS NEW SCENE, WHICH I GUESS HAD A LOT TO DO WITH THE SILHOUETTE I WAS TRYING TO CREATE. I ALWAYS HAVE THIS GENERATION IN MIND, AND I GUESS I’M STAYING BY ITS SIDE. I WOULD LIKE TO THANK ALL THE BOYS AND GIRLS WHO FELT IT.




I WANT TO THANK ALL THE PEOPLE THAT MANUFACTURED MY DESIGNS
WITH SO MUCH CARE AND PRECISION, THE TEAMS THAT CARRIED THIS
PROJECT INTO STORES, AS WELL AS THE RETAILERS THAT SUPPORTED MY
COLLECTIONS.




I WANT TO THANK BERNARD ARNAULT, WHO TRUSTED ME WITH THIS PROJECT. I WAS
REALLY BLESSED TO BE ABLE TO DEVELOP IT. I HOPE HE WILL UNDERSTAND MY
POSITION AND DECISION, IF NOT NOW, THEN HOPEFULLY WITH SOME TIME.

CLOSE TO A YEAR AGO, MORE PRECISELY LAST JULY, AT THE END OF MY CONTRACT,
I FELT IT WAS TIME FOR ME TO MAKE A MAJOR CHANGE, AND LEAVE THE COMPANY.
I HAD ALREADY SET UP THE PRINCIPLES THAT COULD CONTINUE TO BE THERE FOR DIOR HOMME. AS FOR MY OWN STYLE, I DECIDED IT WAS TIME TO SEPARATE THE 2.

IT HAS BEEN SAID THAT A PROPOSAL CAME TO ME TO START A NEW HOUSE UNDER MY NAME IF I STAYED WITH DIOR HOMME.



I TRIED TO MAKE THINGS WORK FOR ABOUT A YEAR. HOWEVER, I HAD THE FEELING IT WAS NOT THE RIGHT PROJECT FOR ME. THERE ARE AREAS I WILL NOT COMPROMISE WITH AT ALL WHEN IT COMES TO MY WORK, AND SETTING UP A LABEL UNDER MY OWN NAME. I ALWAYS KEPT IN MIND THE PRECEDENCE OF SOME DESIGNERS I ADMIRE WHO WERE IN A SIMILAR SITUATION, AND CHOSE THE OTHER PATH. PERHAPS IN ANOTHER TIME IN MY LIFE, UNDER OTHER CIRCUMSTANCES, MY NAME, AND THE MANAGEMENT OF A COMPANY UNDER MY OWN LABEL WOULD BE CONSIDERED DIFFERENTLY. RIGHT NOW I FEEL IT IS VERY IMPORTANT TO STAY TRUE TO MY PRINCIPLES, AND THE IDEA I HAVE OF FASHION.




I HAD NO OTHER CHOICE THAN TO REFUSE THE KIND PROPOSITION THAT WAS MADE
AND TO DECLINE A NEW DIOR HOMME CONTRACT. I MADE THIS CLEAR JUST AFTER
MY LAST SHOW, THE SECOND WEEK OF FEBRUARY, AND LEFT FOR LOS ANGELES.
I DECIDED TO WALK AWAY FROM DIOR, AND MOVE ENTIRELY FORWARD.



 


7 YEARS WITH 




AIR
ALAN RAKE
ALEX KAPRANOS
ALLISON MOSSHART
ANDREW AVELING
BECK, MARISSA, AND COSIMO HANSEN
BRANDON FLOWERS
BRIAN MOLKO
CARL BARAT
COURTNEY LOVE
DAFT PUNK
DAVID BOWIE
ELTON JOHN AND DAVID FURNISH
JACK WHITE
JAKE SHEARS
JOHNNY BORREL
MATTHEW BELLAMY
MICHAEL STIPE
MICK JAGGER AND L’WREN SCOTT
NEIL TENNANT AND CHRIS LOWE
PAUL SIMONON
PETE DOHERTY
PHIL BUSH
PHOENIX
THESE NEW PURITANS
TOM PADDINGTON
8 LEGS

ANDREAS GURSKY
BANKS VIOLETTE
DANIEL ARSHAM
DICK EVANS
DOUG AITKEN
CARSTEN HOLLER
MUNTEAN AND ROSENBLUM
UGO RONDINONE
PAUL P.
PIERRE HUYGUES
THOMAS DEMAND

DAVID LYNCH
DAVID SIMS
INEZ VAN LANSWEERDE AND VINOODH MATADIN
GUS VAN SANT
BRUCE WEBER
IN MEMORY OF RICHARD AVEDON
WHO DID MY FIRST PICTURE
   

posted by ぽん吉 at 20:12| パリ | Comment(0) | TrackBack(0) | Diary | このブログの読者になる | 更新情報をチェックする

2007年03月31日

えいぷりるふーる

・・・・・・・
 
 
 


???????

 
 
 




エイプリルフールっていつだっけ????


4月1日じゃなかったっけか???

 
 
 
 
 
 



えでぃいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいいい


 
 
 
 
 
 
 
 
 
 
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JonasSundstrom-thumb.jpg
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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もう こんな気分
posted by ぽん吉 at 23:23| パリ ☀| Comment(0) | TrackBack(0) | Diary | このブログの読者になる | 更新情報をチェックする

2007年03月09日

エディ風味

こんなのエディは絶対撮らないだろうなってモノを
 
エディ風で撮ってみました
 
 
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posted by ぽん吉 at 01:22| パリ ☀| Comment(0) | TrackBack(0) | Diary | このブログの読者になる | 更新情報をチェックする
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